trzeba trochę nadrobić zaległości, i wyjść z marazmu po wiosennym przesileniu ;D Płytka dość świeża, choć przez ślędzacych WARP'a już pewnie znana.. Szósty album artysty, trzeci dla wytwórni S.Becketta.. mnie osobiście nie powalił, nie ta para butów, zbyt indie, zbyt popowy.. choć dość przyjemny na słoneczne popołudnia ;)
recenzja dla FACT MAGAZINE:
"There’s something to be said for sticking to what you’re good at, and there’s something to be said for branching out. Unfortunately, on Mind Bokeh, the new album from Bibio, he does the latter in the dullest kind of way.
You can see why Bibio decided to bring the guitar to the fore and sing all over this album. His pastoral brand of post-Boards of Canada electronica, delicate and unassuming even at its crunchiest, is naturally unimposing and easy to neglect – the sort of artist where you’ll hear a friend playing his music, ask who it is, and think “yeah, I really should check that guy out.” Unfortunately, you rarely get around to it.
Mind Bokeh starts adequately enough, ‘Excuses’ capturing the foggy-eyed AM nostalgia that defined 2009′s Ambivalence Avenue album and adding more-than-acceptable vocals. The crushed bassline doesn’t sport much in the way of bite, but then that’s probably not why you’re listening to a Bibio record. He may have been taken in by the Brainfeeder fam a little in recent years, but as second track ‘Pretentious’ proves, his strengths lie in the highs of his music; the basslines never quite seem rough or natural enough, the 808s EQed to the point of no personality.
As this album goes on, though, it becomes more confused and diluted. It’s fine being torn between wanting to be Ariel Pink and Flying Lotus, but when that materialises as the beigest form of bedroom rock imaginable – such as on ‘Light Seep’, and the awful ‘Take Off Your Shirt’ – it’s time to take a step back. It’s a shame, as later tracks like ‘Saint Christopher’ are reminders that although Bibio’s no revolutionary, he’s able to make some wonderful music that incorporates both sampling and guitar-playing; in fact, it’s what he made his name on. We just never need to hear a song like ‘Take Off Your Shirt’ ever again.
Chris Campbell"
recenzja dla RA:
"West Midlands producer Stephen Wilkinson's 2009 Warp Records debut, Ambivalence Avenue, was a leap forward from the three albums he released previously for the Mush label, adding crunchy hip-hop beats and laid-back grooves to his existing sonic palette of bubbling ambient synths and electronically modified guitar. His latest offering, Mind Bokeh (a Japanese word referring to the out-of-focus area of a photograph) doesn't stray too far from that template, but it does mark a shift away from the pastoral folk stylings that have defined Bibio's output thus far, largely forgoing acoustic six-string strumming in favour of cut-and-paste psychedelic experimentation and confident, poppy melodies.
The album's opening track, "Excuses," provides an easy entry point into Bibio's world, with Wilkinson's soft, distorted vocals buried under a collage of chiming keys, electronic bleeps and glitch-hop beats that echo those of label-mate Prefuse 73. "Pretentious" and "Anything New," meanwhile, take a turn into Flying Lotus territory; fluttering harps and chopped-up flutes rubbing up against dirty funk synths. "Feminine Eye" is more chilled-out, a Dilla-inspired head-nodder complete with brass stabs. There are even nods to glo-fi artists like Toro Y Moi and Washed Out in "Light Sleep," a woozy blend of wah-wah guitar, squelchy Moog sounds and distant, tinny drum machine beats.
Despite his obvious mastery of electronic textures, it's the moments when Wilkinson draws inspiration from further afield that provide Mind Bokeh's highlights. "Wake Up"'s main hook comes courtesy of what sounds like a hurdy-gurdy; better still is "K For Kelson," where Wilkinson's vibrant guitar lines and enthusiastic percussion captures the joyous energy of African high-life. The rocking "Take Off Your Shirt," which pairs hair-metal riffage with pounding drums, is a move that initially sticks out like a misguided sore thumb, but eventually emerges as the album's most overt pop song.
Fittingly, though, the best is saved for last, with "Saint Christopher"'s fluid, overlapping guitars rippling across a minimal techno pulse; it's a trance-inducing teaser of what Wilkinson might create if he decided to make an album for the feet rather than the head. Mind Bokeh is another giant step for Bibio, and could yet prove to be the gateway to that much-anticipated dance floor record, but until then his place alongside the likes of Caribou—as a forward-thinking artist successfully combining experimental electronica with traditional song structures and a strong pop sensibility—is secure.
Words /
Michael Dix"
a tu jeden z kawałków z albumu, do amatorskiego teledysku a'la Pszczółka Maja:
bibio - pretentious (video edit) from broken machine films on Vimeo.
CHECK!
